Highlighting recently released and forthcoming works by marginalized creators

As If She Had a Say by Jennifer Fliss

Who has a right to tell us how to experience our grief? How to perform—or not perform—the roles society prescribes to us based on our various points of identity?
 
As If She Had a Say, the second story collection from Jennifer Fliss, uses an absurdist lens to showcase characters—predominantly women—plumbing their resources as they navigate misogyny, abuse, and grief. In these stories, a woman melts in the face of her husband’s cruelty; a seven-tablespoons-long woman lives inside a refrigerator and engages in an affair with the man of the house; a balloon-animal artist attends a funeral to discover he was invited as more than entertainment; and a man loses all his nouns.
 
Fans of Karen Russell and Carmen Maria Machado will appreciate how As If She Had a Say’s inventive narratives expose inequities by taking us on imaginative romps through domesticity and patriarchal expectations. Each story functions as a magnifying glass through which we might examine our own lives and see ourselves more clearly.

This Brutal House by Niven Govinden

On the steps of New York’s City Hall, five aging Mothers sit in silent protest. They are the guardians of the Ballroom community – queer men who opened their hearts and homes to countless lost Children, providing safe spaces for them to explore their true selves.

Through epochs of city nightlife, from draconian to liberal, the Children have been going missing; their absences ignored by the authorities and uninvestigated by the police. In a final act of dissent the Mothers have come to pray: to expose their personal struggle beneath our age of protest, and commemorate their loss until justice is served. Watching from City Hall’s windows is city clerk, Teddy. Raised by the Mothers, he is now charged with brokering an uneasy truce.

With echoes of James Baldwin, Marilynne Robinson, and Rachel Kushner, Niven Govinden asks what happens when a generation remembered for a single, lavish decade has been forced to grow up, and what it means to be a parent in a confused and complex society.

Don’t Leave Me This Way by Eric Sneathen

Don’t Leave Me This Way blends archival research with sexual fantasy to produce a series of sonnets inspired by Gaétan Dugas, named by Randy Shilts as “Patient Zero” of the AIDS epidemic in North America. Committed to the utopian possibilities of elegy and pornography, Don’t Leave Me This Way exploits the absurdist beauty of the cut-up technique to voice a chorus of lost spirits: poignant, vengeful, and ready to ball.

Do you have a lit journal issue, chapbook, book, or other work that’s about to be published? Email us at vagabondcityliterary@gmail.com to be added to our Books Available to Review list and/or featured on an upcoming Now Read This list.